Critique of the Hawthorne Experiments

Written by Fritz J. Roethlisberger (1898 – 1974), The Hawthorne Experiments, explores the experiments, results and conclusions of studies performed at the Hawthorne Plant of the Western Electric Company. The Hawthorne Effect is the theory that resulted from the studies. Roethlisberger, a key member of the team, joined the team in 1927 and actively participated in the research until 1936, first as Elton Mayo’s assistant and later as his collaborator (Roethlisberger, 2007). Roethlisberger earned a BA in engineering from Columbia University, a BS in engineering administration from the Massachusetts Institute of Technology, and a MA in philosophy from Harvard University (Roethlisberger, 2007). When Roethlisberger became Elton Mayo’s assistant and a member of the Harvard Business School Department of Industrial Research, his studies towards a PhD in philosophy were halted (Roethlisberger, 2007). Roethlisberger held multiple positions while at Harvard University including: Instructor of Industrial Research (1927-1930), Assistant Professor of Industrial Research (1930-1938), Associate Professor of Industrial Research (1938-1946); and Wallace Brett Donham Professor of Human Relations (1950-1974) (Roethlisberger, 2007). Roethlisberger also served as a consultant to the Training within Industry Program of the U. S. Governments Office of Production Management from 1941 to 1942 (Roethlisberger, 2007). Roethlisberger is also responsible for multiple other essays and books including, â€Å"Man-in-Organization: Essays of F. J. Roethlisberger† (1968), â€Å"Counseling in an Organization; A Sequel to the Hawthorne Researches (1966)†, and â€Å"Management and Morale† (1941) (Biography – Fritz, 2010). Critique The article uses the experiments performed at the Hawthorne plant of the Western Electric Company as illustration to prove Roethlisberger’s theory . He wrote: It is my simple thesis that a human problem requires a human solution. First, we have to learn to recognize a human problem when we see one; and second, upon recognizing it, we have to learn to deal with it as such and not as if it were something else. Too often at the verbal level we talk glibly about the importance of the human factor; and too seldom at the concrete level of behavior do we recognize a human problem for what it is and deal with it as such (Natemeyer & McMahon, 2001, p. 30). Roethlisberger also said, â€Å"A human problem to be brought to a human solution requires human data and human tools (Natemeyer & McMahon, 2001, p. 30). Again the results from these experiments reiterated Roethlisberger’s theory of treating human problems with human solutions. There were multiple experiments performed at the Hawthorne plant. â€Å"In the illumination experiments†¦we have a classic example of trying to deal with a human situation in nonhuman terms (Natemeyer & McMahon, 2001, p. 31). The illumination studies were performed from 1924 until 1927 and were to study the effect of lighting changes on employee productivity (Kirchner, 1992). Within this experiment, various degrees of illumination were experimented on a ‘test’ group and most of the experiments performed on the group showed an increase of productivity. According to Roethlisberger, â€Å"in still another experiment, the workers were allowed to believe that the illumination was being increased, although, in fact, no change in intensity was made† (Natemeyer & McMahon, 2001, p. 31). Again the researchers saw an increase in productivity. Some of the researchers were beginning to develop their basic ideas and assumptions with regard to human motivation (Natemeyer & McMahon, 2001, p. 31). In the next set of experiments, also known as the Relay Assembly Test Room Experiments, Western Electric Company drew support from Harvard researchers. The experiments (with five young women from the Relay Assembly room of the plant) involved manipulated a number of factors including, pay incentives, length of workday and work week, and the use of rest period (Natemeyer & McMahon, 2001, p 32). While researchers kept tons of data regarding this experiment, including the temperature and humidity of the room and the amount of slept each women had the night prior, the physical changes had little change on the productivity (Natemeyer & McMahon, 2001, pp. 32 – 34). The experiments at the Hawthorne Plant continued with interviewing the actual employees. These interviews began in 1928 and were the â€Å"first real attempt to get human data and to forge human tools to get them† (Natemeyer & McMahon, 2001, p. 35). In the beginning of the interviewing process, the interviewers found it difficult to not input their feelings, advice, etc into the interviews (Natemeyer & McMahon, 2001, p. 35). Over time and with practice: They discovered that sooner or later a person tends to talk about what is uppermost in his mind to a sympathetic and skillful listener. And they become more proficient in interpreting what a person is say or trying to say (Natemeyer & McMahon, 2001, p 35). It was the data from these experiments that supported the research of the Harvard team and lead them to conclude that productivity increase when management/supervisors began to pay attention to their employees. In the final set of experiments at the Hawthorne Plant, also described as the Bank Wiring Observation Group (1931-1932), researchers observed a group of employees that represented three occupational groups – wiremen, soldermen, and inspectors (Natemeyer & McMahon, 2001, p. 8). All of the work done in this room was piece work and what the researchers discovered while observing was† To be an accepted member of the group a man had to act in accordance with these [the] social standards. One man in this group exceeded the group standard of what constituted a fair day’s work. Social pressure was put on him to conform, but without avail, since he enjoyed doing things the other disliked. The best-liked person in the group was the one who kept his output exactly where the group agreed it should be (Natemeyer & McMahon, 2001, p. 8) It was these observations that lead the researchers to the conclusion: informal groups operate in the work environment. According to Roethlisberger, â€Å"most of us want the satisfaction that comes from being accepted and recognized as people of worth by friends and works associated. Money is only a small part of this social recognition (Natemeyer & McMahon, 2001, p. 39)† Despite the modern criticism the Hawthorne res earch receives, the studies changed the landscape permanently. These experiments help disprove, Frederick Winslow Taylor’s theory of scientific management. According to his theory, management should scientifically design the job, scientifically select and train the right worker, reward for performance (Dessler & Phillips, 2008, p. 12). The study at the Hawthorne plant shows that management can not be a separate identity in the workplace but needs to be actively involved and available to employees. While the findings of the Hawthorne Experiments disproved Taylor’s theory they do support Abraham Maslow’s theories. In Maslow’s Hierarchy of Needs, he points out there is more to motivation and an enjoyable workplace, then a paycheck. According to his theory, an employee has numerous needs including: physiological needs (food, water, etc), safety and security needs, social needs, self esteem, and self actualization (Dessler and Phillips, 2008, p. 12). In these experiments, the employees included in the group received more attention and were included into ‘special’ social groups. Today’s Workplace Fritz J. Roethlisberger’s conclusions from the Hawthorne Experiments are still relevant in today’s workplace. Employees need to feel as though they are a member of a group and their thoughts and opinions matter to the company they work for. While some researchers criticize the Hawthorne Experiments, the experiments, flawed or not, point to a key point – the employees in the Hawthorne experiment were pleased and thrived when receiving attention from the resea rchers. As Roethlisberger, pointed out one can not solve human problems or concerns without a human solution and he is correct. Social needs, self esteem needs, and self actualization needs, as defined by Maslow, are all human needs and can not be completed or satisfied with changed lighting, rest periods, increased pay, etc – they need human interaction and human solutions. These needs are even more important in our society and many companies do recognize these. Many companies now offer mentoring programs, employee groups (including health committee, activity committees, etc), rewards, and acknowledgement programs. When employees are made to feel special their physical and intellectual performance improves and thus a company will experience success.

Analysis of poem: Half Caste (1996) by John Agard Essay

Question: Analyse the poem ‘Half Caste’ (1996) written by poet – John Agard, about his perspective on the addressing of biracial individuals. In your answer, you should consider: * Influence of context in which the poem was written * The ideas brought out of the poem * The structure and rhyme maintained Answer: John Agard gives painful and poetic expression to the mixed race experience. He was of Portuguese-Caribbean descent and lived in British Guyana (now Guyana), before he moved to Britain. The reference is to half-caste from the Spanish word ‘casta’ (origin, group) and being made to feel half a human being. The poem begins in an apologetic tone, and the strangeness of his situation is shown by him standing on one leg as he does not feel a complete man. The poet uses various examples from the world of art and music and the world of nature to challenge this stereotyping. The repetition of the words ‘explain yurself’ shows the poet’s frustration. He wonders if inanimate objects can become half-caste – Picasso’s painting in which colours are mixed to create a half-caste canvas, Tchaikovsky’s music on a piano with black and white key create a half caste symphony. The world of nature provides striking examples. Light and shadow mix in the sky to create half-caste weather. England always has ‘half caste weather’. Even the clouds are half-caste – so thick and dark and mean that they block the rays of the sun. The clouds are personified to show the negative impact they have on the earth, preventing the sun rays from reaching. The mixing of contradictory features contributes to their beauty, and this implicitly implies that only in human beings, the mixing is negative. The second part of the poem is increasingly sarcastic. Even looks and actions, dreams and shadows can be half caste. The poet listens with half an ear, looks with half an eye, and offers half a hand. This means that his reaction to life and other people is half hearted. This half-life, half identity has even affected his dreams. This could symbolise goals, ambitions that are limited or restricted. He does not have any impact on the world or other lives because he is only a half-caste human being (as per his perspective). The final suggestion is for society is to look and hear deeply and sensitively, to look at a half-caste human being’s sorrow with critical, evaluative judgement. The result of such an approach will increase understanding because the poet will tell him the other half of his story that is now hidden. The poem is built of short lines of uneven length. The first three lines introduces the subject in an apologetic tone – â€Å"Excuse me† and concludes with a small stanza of three lines promising to communicate. The middle of the poem is dominated by enjambment because the poet’s pain overflows in one unbroken recital. The word ‘half-caste’ is repeated 10 times. The title is used as an adjective, a certain condition in which a person is made to feel inferior. The absence of an article in the title shows this. The music of the poem depends on the repetition of words. Towards the end, the word ‘half-caste’ is juxtaposed with the whole. The poet moves from physical sensation – eye, ear to the idea of deep thought and feeling. There is a greater assertion in the last stanza, suggested by the words ‘I will’. The poet speaks English with overtones of a Caribbean dialect called Patois (mainly spoken in Jamaica and Barbados) – â€Å"wha ya mean† repeated 4 times, de (the), dat (that), dem (them) etc. to show that he has half a language and is incomplete even in that area. The half caste has a vivid imagination and uses a variety of examples to prove Agard’s point. The style of the poem is a question – wha yu mean and this is followed by the explanation – you mean. Various symbols are used in the poem – keen half of mih ear, keen half of mih eye implies a desire to ignore the stereotyping and yet keenly be conscious of it. The ‘half-caste’ offers only half a hand to show how deep the resentment is. Turning people into half-caste is one of the greatest of social predicaments the world faces. The need is for equality, dignity and respect to be given to each human being, bringing the marginalised to the centre. The poem ‘Half-Caste’ depicts the anger, pain and fluctuation of emotion felt by Agard, when (rude) comments were addressed to him, directed at his mix of nationality. It also validates that addressing a person as ‘half-caste’ is cretinous and in the conclusion, the lines ‘But yu must come back tomorrow, wid de whole of yu eye, wid de whole of yu ear, wid de whole of yu mind, and I will tell yu de other half of my story’ shows he is willing to make amends with the commentators, if they only cease to treat him as half a human being.

Parametric and algorithmic design

Architecture is frequently practiced in a universe dominated by the many, the client or the public and in many instances merely understood by the few. Architecture has been comparatively unsuccessful at traveling frontward with the universe frequently neglecting to associate and pass on with cultural displacements, altering ways of life and the promotion of engineering. Where other design related patterns such as the automotive industry have blossomed, rhenium seeded, re adult and regenerated with displacements in the manner people live and the engineering of the present, architecture seems to hold floundered. As a consequence designers presently work in an environment using century old engineerings, with a client market which avoids hazards to personal addition at all cost and a populace which frequently still sees the president seen in architectural history as the really signifier of a relevant architectural hereafter. The multitudes seem bewildered by the possibilities presented b y the possibilities of the present. Even fellow practicians and faculty members within the architectural subject would look to be somewhat taken aback by the possibilities now available to us. Not merely on a technological degree, but the impact that these new techniques moms have on the very rudimentss of architectural theory and signifier. This brings me to my inquiry†¦ †¦ Parametric and Algorithmic Design: Fake Forms or a Relevant Architecture? Computer aided design changed many design orientated professions such as the automotive and aeronautical industries as far back as the 1980 ‘s when they were foremost decently developed. A digital revolution if you will. Compare this to architecture where production and design still utilize techniques, theory and cognition developed during the industrial revolution. Although the bulk, if non all designers do utilize some signifier of computing machine aided design techniques the boundaries can still be pushed farther. Procedures such as BIM ( constructing information modeling ) are get downing to go a existent force in architectural design in topographic points such as the USA. BIM is a procedure where the designer does non merely pull a line as with traditional pulling techniques or with plans such as AutoCAD ( which to an extent, is merely a digital version of a traditional drawing ) but alternatively when an designer draws a line, he draws a wall, with the possibility to uni te this information with a illimitable choice of belongingss be they size, cost, structural or how they relate to other members in a design. BIM begins to manus back the rubric of â€Å" Master Craftsman † to the designer, where the designer can see how design develops as a whole and do alterations consequently. Parametric and algorithmic architectures are presently at the head of the BIM architectural thought, they are the merchandises of the few created utilizing advanced computing machine scripting techniques and separately written pieces of package. Using the latest design engineerings available to us, uniting this with the modern stuffs and production techniques frequently developed in Fieldss which have embraced the digital revolution more openly, parametric and algorithmic design can get down to dispute cultural, technological and historical boundaries which designers have possibly failed to to the full dispute in the recent yesteryear. Parametric design is a procedure based non n fixed metric measures such as traditional design but alternatively, based a consistent web of relationships between single objects, the bricks are different but they are connected with the same bond. This allows alterations to a individual component whilst working with other constituents within a system. In a similar manner to that of parametric design, developments in scripting have allowed for algorithmic design processes to progress. These allow complex signifiers to be grown from simple methods while continuing specific qualities. In the most basic sense, a user defines a set of regulations, and the package would set up the signifier harmonizing to the regulations. If parametric design is a method for control and use of design elements within a web of any graduated table, algorithmic design is a system and objects bring forthing complex signifier based on simple constituent regulations. With the combination of these methods, rules, modern production techniques and stuffs parametric and algorithmic architectures have the possible to force architecture, beyond uncertainty into the twenty-first century. Age old architectural jobs and theory such as â€Å" signifier vs. stuff † and â€Å" signifier vs. map † can get down to be solved in new ways, building times can be reduced, stuffs can be managed more expeditiously, and edifice qualities can be improved significantly. In the analysis and comparing of two undertakings using parametric and algorithmic architectural design rules, I aim to to the full understand how relevant these signifiers and methods of bring forthing architecture truly are when compared to their traditional opposite numbers. I have selected my illustrations from opposite terminals of the architectural graduated table size wise, but from a similar household of traditional public architectural type signifier, analyzing how relevant the parametric signifiers are in relation to different state of affairss and scenes. My first probe, looks at a impermanent theater located within the site of Corbusier ‘s Carpenter Centre – A coaction between architecture Firm MOS studios and creative person Pierre Huyghe, selected for its truly alone location and it ‘s modern-day drama on the more traditional theater / marquee / outdoor stage signifier. Theaters are traditionally really expansive edifices, for 1000s of old ages they have been portion of human civilization with signifiers as far back as antediluvian Greece still found in theatre design. This coupled with its set base / park marquee like size associated with formal marquees form around the Victorian age made the undertaking peculiarly interesting. The challenge for MOS studios was to bring forth a return on the theater whilst responding suitably to its location in what is an highly outstanding topographic point. The design in basic signifier is similar to that of any regular theater with raked seating, unhampered screening and high-quality acoustics but it was with the usage of parametric procedures that a theater which corresponds to the single conditions of the site has been produced. The theatre sits in the underbelly of the Carpenter Centre by Le Corbusier, commissioned to mark the fortieth day of remembrance of the edifice. Corbusier ‘s Carpenter Centre is the Centre for the ocular humanistic disciplines at Harvard University, MA. Completed in 1942 the edifice is the lone edifice of all time completed by Corbusier in the United States of America and the last to be completed during his life clip although he ne'er really visited the edifice due to ill wellness. The edifice corresponds with Corbusier ‘s five points of architecture ( as seen in the Villa Savoye, France ) with interior elements such as the incline, a dominant characteristic, detonating out from the interior of th e edifice supplying an s – shaped walkway go oning into the environment. Curved dividers besides extend through the chief walls of the edifice in to the environing countries singing to and from the pilotis which back up them. This creates a series of permeating interior and exterior events running along the promenade incline. Within the design of the Carpenter Centre you can see the elements of undertakings crossing the full calling of Corbusier modified and adapted into this edifice. The marionette theatre itself, like Corbusier ‘s Carpenter Centre, was designed with a set of parametric quantities or architectural regulations if will. These parametric quantities were derived from a given brief and restrictions of the infinite created by the Carpenter Centre itself. To avoid damaging the Carpenter Centre no contact with either the ceiling or the edifices back uping structural systems was permitted. Therefore, suiting the marionette theater in between these of import structural barriers became cardinal. The designer has described the theater as â€Å" an organ placed in a new host † , it has a feel similar but non precisely that of a parasitic construction. Is seems non to be taking off, leaching from the Carpenter, but adding to it, giving it new life as though it truly is a new organ, a new bosom. This imagination is reinforced in the pick of stuffs for the theater, farther showing the feel of new life. The chief ego back uping construction is a poly carbonate, clad on the exterior with a moss. The moss adds heat and noise insularity, absorbing sound from the nearby street with sound quality being of paramount importance in practicality of a working theater. At dark visible radiation from within the theater glows through the light polycarbonate & A ; moss giving a green freshness, as if it truly is a new organ, a new hub from which life stems into the Carpenter Centre. The rounded signifier of the theater was produced though the parametric use of elongated diamond molded panel units, each one person in signifier, each one connected through the same set of parametric quantities. This parametric use was created through the restrictions of site, the demand for ego back uping structural unity, the usage and the limitations of fiction procedures during production. The ultimate signifier is hence created through a system of analysis where the most efficient signifier was deduced utilizing the parametric system. Most of the theater was prefabricated and assembled off site. The extended diamonds were designed to be produced from a individual level piece of polycarbonate understating both fabricating times and otiose stuffs. Each of the 500 pieces was CAM cut, before being folded into three dimensional signifiers with points drilled to link each of the diamond signifiers. The full construction could so be assembled by linking the panels utilizing simple too ls. The usage of simple manus tools meant that the theater could quickly be assembled and dissembled, suited to the impermanent nature of the construction, it was imperative that the construction could non merely be dissembled, but left no lasting hint of its building on the carpenter Centre. This once more was made possible through the usage of parametric design. Each panel is 3 † in deepness and spans over 15 † at the Centre ; they were stiffened with a froth insert to assist with rigidness with the combination of strategic panels being placed inside out, therefore moving as cardinal rocks. These strategic interior out anchor panels besides act as fanlights, leting visible radiation to go both in to and out of the theater. When assembled the panels dissipate forces around the tegument of the theater, making the ego back uping monocoque construction. The monocoque construction mean that mo lasting ingredients or structural supports had to be made with the Carpenter Cent re, hence the marionette theater became connected through its relevancy as a design but remained separate as a structural object. With the marionette theater sitting in a deep-set exterior courtyard underneath the Carpenter Centre, the alteration in degree of 1.25m between the street side and the courtyard had to be addressed, and so this became one of the cardinal parametric quantities in the design. This was overcome by integrating the 1.25m alteration in degree in to the raked theater seating, with the existent public presentation phase sitting at the lower degree of the courtyard. As you enter the marionette theater at street degree, the extended diamond signifiers combine with the alteration in tallness and about phantasmagoric size of the marionette theatre itself to making a ocular semblance, a false position. This invites the visitant into the theater with a sense of thaumaturgy and wonder, pulling the eyes towards the phase terminal where the parametric boundary lines of the diamond signifiers stop suddenly with the debut of the phase. The usage of this optical semblance helps to reenforce the sense of theater, a sense of thaumaturgy that I experience could be easy have been missed or overlooked with the usage of other stuffs or building techniques. You could maybe state that similar signifiers could hold been created in concrete or wood, but so the all of import drama of visible radiation created by the polycarbonate panels chosen would hold been missed. With the combination of stuff and parametric design â€Å" theater † is really incorporated into the design of the construction. The Glossy polycarbonate panels besides reflect light, making an ambient radiance visible radiation during public presentations, with the lone illuming coming from the marionette show itself, this transforms the theater into a glowing lantern at dark, projecting it ‘s energy onto the au naturel bare concrete surfaces of the Carpenter Centre. It seems to work good in a apposition between the hi-tech nature of the design and the connexion created with what is a really ancient signifier of amusement, connected by illuming which would look to pull you in a similar manner to that of a candle visible radiation. During the twenty-four hours the coefficient of reflection is reversed when the natural visible radiation brings the exterior milieus into the marionette theater, this focuses the attending on what is go oning in the outside universe, the walls about become the walls of an Aboriginal cave, stating the narratives of the exterior universe as they are go oning. This connexion to the outside universe through the coefficient of reflection of visible radiation is reinforced by the framing of a individual tree which sits beyond the entryway of the theater. It frames the position with some purpose whilst making a sense that the tree could perchance inquire as some barrier, a bound to the boundary of the theaters threshold. Through extended analysis and research this theater and its host edifice, the carpenter Centre I believe that this truly is a singular signifier, an first-class piece of design. The theater works with and replies to every one of its parametric challenges. Through the usage of parametric design I feel that a signifier has been created that would otherwise ne'er have been imagined or realised. The organic signifier of the theater, created utilizing really non organic production techniques replies to the brief on so many degrees. It creates this new bosom, new hub for the Carpenter Centre. It does non seek and mime the great modernist architecture used by Corbusier himself, but in no respect does it contend against it, it somehow moves in to an architecture beyond, with each single member of the theater being really geometric, but arranged in an intelligent manner, produce a signifier which is more organic. Neither structures the same but they do work together. The marionette theater de sign speaks of the Carpenter Centre today ; it speaks non of the architecture and the Carpenter Centre of the past, but the architecture, the people and the Carpenter Centre of the hereafter. The designers could hold chosen so many different attacks to bring forthing a marquee of kind on this site but I ‘m positive they would hold struggled to bring forth a design that overall worked more responsively with the entireness of the design challenge presented. The 2nd illustration of parametric architecture that I have analysed is the Mercedes Benz Museum, Un Studio, Stuttgart 2005 – with parametric and algorithmic working by Designtoproduction. This illustration of parametric design was selected non for its evidently parametric visual aspect but for the manner in which parametric modeling combined with BIM was used in the building and design of what can merely be seen as a truly radical edifice. Today the bulk of the universes exceeding historical, cultural and artistic pieces of are all in topographic point, the hereafter of the museum, as seen with this, the Mercedes Benz museum, lies with those who can to the full pass on a specializer aggregation, what they are about and where they came from. They have the capableness to excite a civilization much more than a generalist aggregation, the plants, the autos in the museum coud be seen to talk much more of the people that the bulk of today ‘s art. This is where the usage of pa rametric design can be seen to act upon and wholly pass on the work of Mercedes in a new manner. The importance of museum design has been at the head of architectural thought since Frank Lloyd Wright foremost challenged the program of the museum with the design of the Solomon R. Guggenheim Museum in New York, 1969. Since so museum has been challenged once more and once more by a battalion of designers such as Renzo Piano & A ; Richard Rodgers with The Pompidou Centre, Paris, 1977 and Daniel Libeskind with the Jewish Museum, Berlin, opened 2001. The Mercedes Benz Museum can be seen to associate to all of these illustrations in its chase to step frontward off from the regular, to dispute the infinites, circulation waies and signifiers of a museum, to make a museum of intent. The success of a museum depends upon the ingeniousness of its internal agreement, infinites created and its ability to exhibit artifacts within these infinites in a relevant manner. The museum will / has become ce lebrated non merely in the go oning line of disputing museum architecture get downing with edifices such as Frank Lloyd Wright ‘s Guggenheim in New York but for seting the digital design procedure steadfastly on the map. Stuttgart is place of the Mercedes Benz trade name, and so with the demand of a new museum, UN studios were chosen to redesign a new museum on a new site close to the chief gateway to the metropolis, where the old museum had antecedently been located in a dedicated edifice within the existent Mercedes mill. The design is based on a construct affecting the over laying of three round signifiers in program with the remotion of the cardinal infinite making a triangular shaped constructing tallness atrium country. In subdivision the edifice raises over eight floors in a dual spiral signifier, maximizing infinite and supplying 16,500 square metres of functional infinite on a comparatively little footmark. Originally the brief brought to UN studio suggested that the edifice should be no more than two floors high with concerns that any more tallness in the edifice may do complications with exhibits, for illustration the manoeuvring and exhibiting of lorries, circulation jobs around such big pieces and structural unity of the edifice with highly heavy exhibit tonss. With the site being situated so near to a major expressway it was shortly suggested by UN studios that the edifice should be taller associating to the close state of affairs to the expressway, seeing that jobs such as circulation and weight of exhibits could be overcome with the correct cognition and attitude towards the undertaking. The circulation system used in the Mercedes Benz Museum s similar to that used in the pompidou Centre Paris, with the circulation running around the external frontage of the edifice. In a similar manner, the circulation can be seen to pull clear links with the incline like circulation of the Guggenheim New York. The chief difference with both of these edifices is that the Mercedes Benz museum has, through advanced building techniques combined with the usage of parametric modeling is able to convey the chief forces applied to the edifice to a structural nucleus through floor slab s instead than margin, hence to the full emancipating the frontage and program of the edifice. The visitant enters the edifice on the land floor where they are met by the huge graduated table of the unfastened atrium. This land floor is home to the general installations expected of a big museum ; response, gift store and coffeehouse but it is where the circuit begins that the signifier truly takes a leap forward. The museum is designed so the visitant is transported to the 8th and top floor of the edifice before working their manner down dual spiral signifier inclines on a circuit that would take about six hours to finish in entireness. Transportation system to the top floor is a jubilation in motion itself, the visitant is transported via a portal like lift with limited screening ; â€Å" flashes † of projected imagination are seen from the interior. Once at the top floor, two Tourss split from the get downing location each following one of the dual spiral inclines, each following a different side to Mercedes huge history. The two Tourss known as â€Å" Collection â⠂¬  and â€Å" Myth † vary in their exhibits with the â€Å" Collection † circuit being more of a historic timeline of Mercedes design and the â€Å" Myth † circuit taking more romantic, cultural return on Mercedes history, having some of the company ‘s greatest designs and autos antecedently owned by the likes of Ringo Starr. As a consequence the particular feel of the two Tourss h seen designed to change and accommodate to the assorted exhibitions tremendously. The â€Å" Collection † circuit is flooded with natural, true illuming whilst the â€Å" Myth † circuit is illuminated in a much more theatrical manner, miming the love affair and glorification associated with its exhibits. The tour waies do traverse at assorted points through the vertical of the infinite, leting the visitant to pick and take between the two Tourss. The eight degrees of the edifice are separated into regular and particular countries, based on their maps within the museum and their impact of the construction as a whole. The degrees alternate between individual and dual tallness infinites as they progress through the vertical of the edifice. Classical sculpturers such as Bernini and Brancusi knew the importance of the base, they were Masterss of this, one time once more the base has been utilized in this museum, making positions, foregrounding without blinding and concentrating the visitant ‘s attending where it is needed. Not merely have pedestals been used but with the employment the semi handbill inclines which hug the exterior boundaries of the edifice, positions have been produced, supplying new, interesting and invigorating positions of the exhibitions. Sing the foliage shaped, semi handbill, exhibition infinites from a battalion of highs as you descend through the edifice generates a series of bird's-eye overviews. Vi sitors see the exhibits from higher, lower, closer and more distant position points. No sing angle is of all time rather the same, and the normal caput on viewed attack is avoided, there is a sense that you will ne'er capture every position throughout the circuit, that the edifice is invariably altering, writhing about and beyond you, that you as the visitant ne'er rather to the full understand where you are within the edifice. Together the base, bird's-eye screening infinites and invariably writhing signifiers create a new particular complexness within the signifier of a museum. Never before has something been exhibited like this before. There is a changeless feel of motion within the exhibits and the signifier of the edifice. The museum â€Å" attempts to put the inactive in gesture † says one German architectural critic, â€Å" as if it wants to turn out that the architecture is still alive † , it has been said to research gesture in all of its possible looks. The w hole Acts of the Apostless as an gas pedal for the different, unpredictable and erstwhile inexplicable infinites presented to the visitant. The unfastened program has been achieved through the ability to convey perpendicular tonss to the cardinal distribution nucleuss via the floor slabs with the facade systems transporting limited perpendicular burden. The floor slabs within the exhibition countries cover an country of about 30m without intermediate structural columns, made possible through the usage of parametric modeling and advanced structural computation. In add-on to the existent exhibit weights and unrecorded tonss such as visitants to the museum the floor slabs besides have to reassign a important sum of the horizontal burden from the distorted exterior structural system to the immense cardinal tri column nucleus of the edifice. The floors little curvature and slope aid to make a truly dynamic infinite around the autos aswell as making the structural support for the edifice. The floor creases, becomes the wall before turn uping once more to go the ceiling. UN studios most recent plants have been described as associating to and remembering ways in which Baroque designers worked and diagrammed their work. Van Berkel, co laminitis of UN studio, amused by the comparing says † I have been truly fascinated by Bernini and Borromini. Not merely in their edifices but by their unbelievable ability to project their subject into inquiry with advanced representation techniques † . These techniques are imperative in the agencies of bridging the spread between the abstract of idea and the pragmatism of edifice building, they become indispensable when get downing to grok how a construction may work and how edifice may run. They open new skylines and give architecture a holistic dimension, a agency of making volu mes that respond straight to undertaking demands. As an ultimate statement: The Mercedes Benz Museum by UN studio could non hold been created without the aid and research offered by Designtoproduction and their parametric work. There was limited clip to plan what can merely be described as one of the most complicated constructions in modern clip, and so, over two hundred and 40 six different companies and technology houses were employed to assist with the production of the Mercedes Benz Museum. Designtoproduction were able to supply solutions to the spreads between dividing design and production. This was imperative as these stairss are interconnected, they extremely influence each other and with so many different squads working on the undertaking, strong design and production links were needed. Parametric design proved to be the key to the edifices success in this respect. â€Å" The lone solution was to command the geometry of the edifice every bit wholly as possible utilizing the latest computing machine engineering † Ben van Berkel, UN Studio ‘s carbon monoxide laminitis and manager. The entwining signifiers of the Mercedes Benz Museum meant that the signifiers could hardly be described utilizing standard programs and subdivisions, yet contractors needed working programs, subdivisions and inside informations to build the edifice. From the basic geometry of 2D parametric modeling, the borders were transformed in to constantly lifting 3D signifiers by layering degrees ; finally the 3D volumes of the construction began to lift from the layering of programs. For different edifice constituents the geometry was straight taken from the theoretical account, therefore shuting the concatenation of information from early design phases until the building and fiction. For illustration, the formwork for double curved surfaces was accurately developed into field boards taken from information in the parametric theoretical account. Interior designers do n't believe in Numberss, they think in relationships, in connexions, in the whole. CAD bundles do non believe in dealingss, they think strictly in Numberss, they do non care for relationships or what they represent within the signifier or design of edifice. The parametric CAD theoretical accounts that Designtoproduction produced combined these Numberss behind the developing edifice in a set of a parametric quantities, ordering what would work and what would non ; therefore 1000s of Numberss become simply a smattering of meaningful parametric quantities. The parametric theoretical account for the Mercedes Benz Museum was non lone portion of the design but key to the building. It linked the take parting trades in the edifice in a harmonic whole with the designer moving one time once more as the maestro craftsman at the helm, supervising the building as a whole. Unlike those who use digital architecture simply for aesthetic qualities, UN studios have gone beyond an yone else in the agencies of imaginatively pull offing a edifice through a design with a mathematical parametric theoretical account, without compromising the initial design rules, cramping the design with formal or preconceived solutions. The Guardians architecture critic Jonathan Glancy has described the edifice as â€Å" jet-age Baroque † . The usage of parametric design tools, the designer had been able to plan and make a edifice which seems as though it is a merchandise of or closely linked with the Mercedes Benz trade name. It screams motion, engineering, the hereafter, and the impossible. If you think about this edifice in any other sense, an exhibitioner of modern art, an exhibitioner of any other signifier of specialist aggregation or historical artifact it merely would non work. The edifice would look to be genuinely intentionally tailored to the client and intent, that of exhibiting the greatest plants of Mercedes Benz, with this, the museum is already seen by many as one of the individual most amazing edifices of the new century.

Why Didn't The French Canadians Join The American Revolution Essay

Why Didn't The French Canadians Join The American Revolution - Essay Example Choosing to support Americans could jeopardize the conditions of the Act and leave them at the hands of the Americans. The essay shall look at these issues in further detail in order to set their behavior against the background of the historical occurrences at that time. The essay will encompass a series of historical events that had led to French Canada's surprising reaction to the United States. First of all, a small history of French Canada will be examined with regard to their emigration and settlement in Quebec. Thereafter, there will be a need to look into the French Canadians, social and religious practices; these will be examined against the background of the general social and religious climate in America. The reason for doing this is to establish the reason behind their participation in the 1774 Quebec Act. (Candaiana.org, 2008)This will also provide an understanding about the possible differences that could have emanated between the French Canada and the rest of the American population. Afterwards, it will be imperative to look into details that occurred prior to the American Revolution and during the revolution when the French Canadians were requested to join in the struggle. All the communication that occurred between the latter group and the Americans will be examined in detail to reveal why the French Canadians took their stance as neutral parties.... The province was mostly French Catholic at that time. In fact, statistics show that the English speaking inhabitants were British officials or members of the military. (Canadian encyclopedia, 2008)The other small proportion of English speakers in Quebec was mostly located in Quebec's urban centers with the largest percentage of the latter adhering to the Protestant religious faith. In fact, census during the year 1764 indicated that in Quebec and Montreal only two hundred households represented Protestant groups. (Parker, 1983) It is also imperative to realize that the English speaking population was distinctly different from the French population owing to their economic practices. The French Canadians were mostly interested in agriculture while their English speaking counterparts were largely interested in trade. The English speakers adhered to the following professions Artisanship Inn keeping Commodity Trade Merchant trade As a result, Quebec City itself found that it had become an importer and exporter of commodities. Large percentage of the English traders had arrived in Quebec to provide supplies to British army representatives and officials however, they found that they could engage in fur trade in this area and consequently chose to develop that trade. It should also be noted that in the fateful year 1763, the British had made a proclamation about Quebec. They wanted to treat this area just like any other province within America. The colonizers wanted Quebec to operate under English laws and they also wanted them to have representative government. Despite the fact that a large percentage of the people in Quebec were

Leadership Approach Paper Research Example | Topics and Well Written Essays - 750 words

Leadership Approach - Research Paper Example This paper discusses group performance study as an approach to studying leadership. Organizational group performance is the performance of various groups that are involved in the functioning organizational departments to achieve its goals. The efficiency of departmental groups contributes to the general success of the whole organization. Training employees in various groups helps them evaluate their performance by identifying the possible gaps in their skills or performance and plan on how to make effective improvements. According to Yuki (2010), for a group to be effective, all members have to work in unity to achieve results. Issues arising among the different members of the group are a hindrance on achieving results. These issues could be either task related, interpersonal related or either common. Measurement of group performance relies on the contribution of all group members working towards completing a similar task by application of interpersonal skills. A good leader should possess skills and knowledge to direct the group members in achieving the common goal. The out-come of the group measures the leaders’ level of performance. The performance of the entire organization is largely depended on the performance of the various groups of the organization. A successful leader should be in a position to control the various groups of the organization to achieve the goal of organization (Kottler & Englar, 2010). A leader chooses the most preferable method of leadership to apply to the group, which could either be autocratic or democratic. An autocratic leader makes the group’s decision with minimum or no consultations from the other members, while a democratic leader allows consultations of all group members and considers individual opinions regarding the issue at hand. Group leadership defines the purpose of the group, and every member is of the group feels proud to belong to the group. Members understand the roles

Photography as Art Essay Example | Topics and Well Written Essays - 500 words

Photography as Art - Essay Example The path is a murram road. From the murram road it is evident that image was taken on a hilly forest. Looking at the middle ground, the path seems to be rising from lowland to highland, which indicates that the image is on a hilly place. From the path, there are indications that vehicles use this murram road more often since there are prints of tyres. On the left had side of the image from foreground to background, there are trees that are closely grown. The trees are of different trunk sizes; thing and thick. In addition, there have different shapes, sizes, and colors of the leaves. Whereas some are dark green, there are trees with yellowish leaves and others have light green leaves. Some trees have thick leaves while other are made of up thin leaves. What’s more, the trees in the images have varied branches where some are having short branches and others are having long branches. The trees are closely packed that going through the forest may be a difficult thin. On the background of the image, the trees give a beautiful view of the image. The middle and top of the background is all covered with trees of the forest. The whole image, a combination of trees and the murram path are ground view focus where the camera specifically focused on the area. The image is well composed with the background, middle, and foreground clearly depicted. The top, middle, and center are also depicted very well without leaving out the fact that the left, right, and central positioning of the image was well done. A bright light has been used on the image to provide clear vision on the contents. The bright light used makes it possible to see the different colors of the trees, differences in shapes and trunks, as well as the how densely populated the forest is from the image (Krages 19). In addition, the bright line gives a vision of the murram path in a clearer way where viewers are able to identify the stretching of the road from lowland to highland. Different colors have been

The Representative and Her Constituents Essay Example | Topics and Well Written Essays - 750 words

The Representative and Her Constituents - Essay Example It is, therefore, arguable that a representative in this form of governance, has to share the democratic characteristics of the majority of the constituency or resemble those he represent for him to understand the concerns and empathize with the people. Melancton Smith has been credited for being the most well spoken antifederalist’s supporter, and the most conscious supporter of in-office relation. Smith argued that representatives should portray a true picture of the citizens they are representing, and be knowledgeable as far as their wants and situations are concerned (Mezey 21). He also argued that representatives should sympathize with the people and always aim at seeking their interests. His point was that the most essential knowledge for representatives is not political or commercial knowledge attained through education, but it is the knowledge of acquaintance with the occupations and concerns of the people. According to Smith, understanding the real commercial interest of a country does not only require the general ideas of the world, but also, most importantly, knowledge the country, its value, the manufactures, and the capability of the country to enlarge production (Mezey 35). Exercising such powers as laying duties, exercises, and taxes, requires more than acquaintance with the obscure parts of the financial system. ... He felt that this would not only help eliminate any plots against the authority and liberty of the government, but it would also be the best mode for remedy to such crimes. In concluding his speech, Smith said that the number of representatives should large so that while it embraces first class men, it should also admit to the middle class people (101). He felt that if the number were small, the office would be distinguished and elevated. In my opinion, his arguments were admirable since he was against office corruption. He called for prefect representation of the people. Smith believed that the size of the national legislature when coupled with the class-cultural deferential patterns would lead to a body comprised primarily by individuals from the refined and elevated classes. This is because he argued that the high-class people form better associations as compared to the poor and the middle class people who form such associations with difficulty. He, therefore, said that in case el ections by plurality were called, the great would be chosen because they unite their interests, with the poor dividing themselves. He further felt that if the first class were excluded from the legislation, they would be discontented and continually disturb the government. Majority-minority districts refer to the rule for new electoral boundaries to create electoral districts with a majority population of a grouping as a national minority (110). These voting districts have been created as a remedy to the increased underrepresentation of the interests of the minority in political matters. It ensures that the minority group is so large and geographically positioned such that a

HCM337-0704B-01 Current Legal, Ethical, and Regulatory Issues in H - Essay - 5

HCM337-0704B-01 Current Legal, Ethical, and Regulatory Issues in H - Phase 3 Discussion Board - Essay Example Medical errors are common in the field due to human involvement however the life and death situations pay no respect to human error. A 2006 report by the Institute of Medicine of the National Academies study found that medication errors are among the most common medical mistakes, harming at least 1.5 million people every year [2]. With the current system each day about 125,000 suits are filed against the doctors for mal practice. Although 70 percent of those suits filed are closed without any payment, the rest who don’t, deliver hefty sums to the patients [3]. A 2001 year average payout to the patients was estimated to be $3.9 million according to the Jury Verdict Research of the Insurance Information Institute. With such a change to extract so much money out of a suing, it is any wonder who doesn’t want to win the lottery? With so many suits filed every day, the doctors are taking malpractice insurance to keep them monetarily safe from the patients. However the costs of the insurance have risen since the 1990s. The U.S. Government Accounting Office reported in 2003 that these increases were due increased losses to malpractice insurers in paying malpractice claims, decreases in investment income of insurers, and increased costs of reinsurance, which increased overall costs to insurers. Nearly all states require that physicians have liability insurance. Even in states that don’t, physicians usually have to have insurance coverage in order to get privileges to see patients at a hospital [3] In order to cap the sky rocketing premiums and costs for mal-practice insurance, most of the states have adopted Medical Injury Compensation Reform Act of 1975 (MICRA) which restricts the maximum award of a law suit. One solution to bring the cost of insurance down is by treating the patients correctly. Once the patient has no chance to complain, the law suits will become non-existent and hence this would

Professional Objectives and Interests Personal Statement

Professional Objectives and Interests - Personal Statement Example My secondary interest would be to strengthen my leadership abilities so that I can lead and administer my subordinates. Sharpening of the existing skills is a very important factor and I would like to focus my attention to it. Apart from this I would be more interested in acquiring new skills by attending seminars, certification programs etc and meeting new people who are associated with this profession. Working for a project will prove to be very fruitful in order to enhance my entrepreneur abilities and motivate my dedication. Networking is considered to be a very essential factor. Relationship with the professional contacts is very valuable for the advancement of career and learning new techniques. I would make it a point to attend functions and monthly events so as to be in close contact with the administrative professionals. The interests that need to be developed in order to become a good administrator are to have effective leadership qualities. An impressive personality proves to be very helpful when it comes to lead and administer people. My area of interest would be to work on the enhancement of these two traits.

An Analysis on the Juvenile Justice System Dissertation

An Analysis on the Juvenile Justice System - Dissertation Example Young, O'Donnell and Clare (2001) in their report to the National Crime Council for the period 1950 - 1998 stated that, first and foremost, it had been difficult finding conclusive data for the majority of the period covered reflecting the lack of coordination on maintaining data on juvenile justice for the majority of the period of time covered in the report. Additionally, during the time period analyzed the age groupings fluctuated which made data gathering even more difficult. Several of the periods had overlapping age groups represented in several categories and during a 20 year period data was categorized for the age group 17 to 21 which did not reflect if the crimes were even committed by juveniles per se. Upon completion of the report, however, and with the limitations set forth previously addressed Young, O'Donnell and Clare (2001) presented their findings noting several general trends. Since 1958 the trend of juvenile offenses has been very erratic with marked differences fr om year to year in some cases. Figure 1 below shows the number of juvenile cases by year for the 40 year period. As seen from the above graph the highest recorded period of juvenile crime was in 1961 when 3,333 cases were reported. 1976 saw a dramatic drop in juvenile crime which may actually be a reflection of the change of reporting practices as opposed to an actual drop. As seen in the above chart since 1990 with the exception of 1996 juvenile crime has been decreasing at a steady rate. 1997 showed the all time low of only 465 cases while the following year the number juvenile offences increased slightly to 573. During the entire period of the study Young, O'Donnell and Clare (2001) reported that juveniles accounted for 23% of all reported crime in Ireland. The rate has not increased above 30% since 1961 and since the early 1990's has been 15% or less which reflects in the total number of youth being arrested for criminal offences. By 1997 only 9% of all crimes were committed by juveniles. This rose

Howard Hughes Essay Example for Free

Howard Hughes Essay Howard Hughes, one of the most mysterious men in America. He achieved the American dream by not only becoming wealthy but he also built an empire. A businessman, plane designer, movie producer, industrialist, was great in everything he focused in. Had and enormous wealth and intellect, and he also had achievement. He fortune with hard work in any job and with his great influential ideas. Howard Robard Hughes Jr. was born in Houston, Texas on December 24, 1905. He was the son of Allene Gano Hughes and Howard Robard Hughes Sr. , who invented the tri-cone roller bit which allowed rotary drilling for oil in previously inaccessible places. He also founded the Hughes Tool Company to commercialize this invention. Howard’s parents died when he was still a child; he inherited a considerable part of his father’s million dollar fortune. Howards goals as a child were to become the best golfer, the best pilot, and the best movie producer. Despite the fact that he attended great schools, he never got a diploma. His father arranged for him to attend math and engineering classes at the California Institute of Technology. Then he enrolled in the now-called Rice University. Hughes is best known as an aviation genius, because of all of his the designs, ideas, and invention of airplanes. He is famous for the H-4 Hercules, also known as the â€Å"Spruce Goose†, and is also known because of his eccentric behavior. He set many world records while flying that seemed unreachable in his time. On September 13, 1935, he set a new speed record aboard his H-1 Racer by setting a speed of 566 km per hour, the previous record was 505 km per hour. This H-1 was donated to the Smithsonian Institute in 1975; now it is on display at the National Air and Space Museum. On January 19, 1937, he set a trans-continental speed record by flying from Los Angeles to New York City in 7 hours, 28 minutes and 25 seconds. On 1938 he set a record by flying around the world in 3 days and 19 hours; the preceding record was more than four hours. Hughes also received many awards; some are: the Harmon Aviatrix Trophy (1936 and in 1938) which is given for the most outstanding international achievements, the Collier Trophy (1939) which is the most prestigious award in the aviation field, and the Octave Chanute Award (1940) which is given for engineering innovations. Howard Hughes purchased Transcontinental and Western Air (TWA) in 1939. This company grew along with his chairman Jack Frye. TWA broke Pan Am’s legal designation as the US sole international carrier, so TWA began transatlantic flights using the new Lockheed â€Å"Connie†, which was used as both a civilian airliner and U.S. military air transport plane. In 1950, the airline changed its name to Trans World Airlines (TWA), because it offered flying routes from Europe to all Asia until Hong Kong. Later with the Transpacific Route Case of 1969, TWA was able to fly in the Pacific Ocean too. TWA and Pan Am were the only U.S. airlines serving Europe. One of Hughes’s most famous designs was the H-4 Hercules, also known as the Spruce Goose. This was a jumbo boat that flew; it was specially designed for carrying soldiers in a war. The idea was to use it in World War II, but unfortunately the Hercules was finished just after the end of the war. This plane was another satisfactory idea of Hughes, because it successfully flew once with Hughes in control. This is why Howard had to testify against the Senate War Investigating Committee, but they failed to file a final report because the government didn’t permit planes made out of aircraft aluminum. So Hughes had to make the plane out of hard close-grained wood so he could accomplish his contract with the U.S. Government. This plane was on display next to RMS Queen Mary in Long Beach, California for many years, but now it is in McMinnville, Oregon where it is part of the Evergreen Aviation Museum. On July 7, 1946, Hughes was flying a prototype plane of the US Army, made by him, when an oil leak changed the way a propeller had to work. The plane started to drop down and crashed in a Beverly Hills neighborhood. When the plane finally stopped, after destroying three houses, the fuel tanks exploded, setting fire to the plane and a close house. In the accident, Hughes got a crushed collar bone, six crushed ribs and some third-degree burns, but besides this it affected him the rest of his life. With this he turned into a more unusual person because he developed an addiction to opiates because of use of morphine as a painkiller during his rehabilitation. He turned into an isolated person, developing a disease known as hypochondria, which makes a person preoccupied with physical health and body. This person believes, fears or is convinced that he has a serious disease, despite medical reassurance. Hughes became so isolated the he was inside a room for a little over 8 months, only opening the room for food carefully inspected for any germ. The main reason he left the room in 1947 was because he was called to testify. Senator Ralph Owen Brewster opposed the commercial interest of Howard Hughes. He said that Howard had received $40 million from the Defense Department without actually delivering the aircraft he had contracted to provide (which was the H-4 Hercules). Even though Hughes had everything against him, he combated Brewster with the same anger, accusing him of being corrupt. Hughes spread rumors about the senator’s close association with Pan Am (Hughes’s rival company), alleging that he received free flights and other things in return for help beating TWA. The senator also passed a bill to remove government approval for TWA flights across the Atlantic. Hughes openly said that Brewster had promised an end to the Senate investigation if he would agree to merge TWA with Pan Am. In reply, the senator, annoyed by the accusations, stood aside from leading the investigation to become a witness before the committee. He denied Hughes’s accusations and made several opposing accusations, but failed to harm Hughes. The senator’s reputation suffered greatly from this incident with Hughes. Howard Hughes died on April 5, 1976, at the age of 70 when he was going on an airplane from his penthouse in Mexico to a hospital in Houston. The autopsy showed that he died because of a kidney failure, plus in his bloodstream it appeared that he had 1.9 micrograms of codeine. This dose of codeine is more than fatal, and together with a good amount of valium it makes it fatal. Hughes was unrecognizable due to his long years of recluse. His hair, beard, finger and toe nails were disgustingly long. Doctors said that malnutrition to his 6’4† body helped him on his death, because he only weighed 90 lbs. Since he was too unrecognizable, the FBI had no other choice than to use the fingerprint identification to identify the body. Howard is buried in the cemetery of Glenwood in Houston. Hughes is worth writing research paper, because he is a genius on mostly everything related to plane designs. It is good to know that thanks to this man we are able to move fast and around the world. Jets are a great innovation on planes; Howard was the one of inventors of the jet propulsion airplanes, but wasn’t able to make the most out of them, because of his illness. I believe he is an inspiration for most of the youths out there wanting to study engineering, I think this is true, because Howard is my inspiration because of the great example he represents. Besides being a plane genius he was also a movie director producer which is also another reason why this man is a good research topic. Bibliography: Johnson, Bobby H. Howard Hughes The World Net Encyclopedia. Ed. Robert O Zeleny. Chicago World Enc. Inc, 1990. PBS Chasing the Sun- Howard Hughes [Online] Available http://www.pbs.org/Kcet/chasing the sun/innovators/hhughes.html, September 9, 2003. Golden Ages [Online] Available http://nationalaviation.org/museum-enshrinee/asp?eraid=3enshrineeid=302, September 12, 2003. Donald L. Bartlett and James B. Steele, Empire: The Life, Legend, and Madness of Howard Hughes (New York: Norton, 1979). Charles Barton, Howard Hughes and His Flying Boat (Fallbrook, California: Aero, 1982). Michael Drosin, Citizen Hughes (New York: Holt, Rinehart and Winston, 1985). Howard Hughes, My Life and Opinions, ed. Robert P. Eaton (Chicago: Best Books Press, 1972). Robert Maheu, Next to Hughes: Behind the Power and Tragic Downfall of Howard Hughes, by His Closest Advisor (New York: HarperCollins, 1992). Harold Rhoden, High Stakes: The Gamble for the Howard Hughes Will (New York: Crown, 1980). Robert W. Rummel , Howard Hughes and TWA (Washington: Smithsonian Press, 1991). Tony Thomas, Howard Hughes in Hollywood (Secaucus, New Jersey: Citadel Press, 1985)

The Decolonisation of Africa 1959-1964 Essay Example for Free

The Decolonisation of Africa 1959-1964 Essay To what extent was Britain able to retain control over decolonisation in Africa between 1959 and 1964? By 1959 decolonisation in British Africa was well under way, for example, the Gold Coast in West Africa had become independent in 1957, Nigeria and Sierra Leone were well on their way to independence, and agitation and advances towards independence were already taking place in Kenya and Tanganyika in Eastern Africa. By 1964 this had spread throughout Britain’s African territories and many more had either become independent or started their journey and development towards independence, as the â€Å"political face of the continent was transformed†[1]. This essay will examine what it was that led to this huge change in policy towards Africa, from a time at the beginning of the 1950s when no one expected any of Britain’s colonies to become independent within a generation, let alone within a decade, to a time in the mid-1960s when Britain’s colonial possessions in Africa were severely dwindling and there was a clear line of policy towards decolonisation there. Even in 1959, as Hemming recognises, â€Å"a conference of East African governors agreed that the likely timetable of independence would be: Tanganyika in 1970, Kenya in 1975 and Uganda somewhere between the two†[2]. In fact Tanganyika gained independence in 1961, Kenya in 1963 and Uganda in 1962. As Hemming identifies, â€Å"a fifteen year timetable had been reduced by 80 percent†[3]. This essay will look at such questions as: How can we judge if Britain was in control? ; Was Britain in control of the pace, or the actual process of events of how independence came about? ; Was Britain in control of who to transfer power to? This essay will attempt to answer these questions by examining all of the various problems, and pressures with which Britain was faced regarding its African colonies, which can been seen to have taken the control of decolonisation in Africa between 1959 and 1964 out of Britain’s hands. It will look at whether Britain really wanted to maintain control of its colonial territories, or whether, once Britain had decided not to keep its colonies, it actually did not want to remain in control of decolonisation in Africa. In some cases did it actually make it easier for Britain to allow control of African decolonisation **** out of its hands. This essay will examine whether it is certain that once the ‘wind of change’ of African nationalism began spreading through Africa, that Britain was not entirely in control, and, will examine the extent to which Britain did retain control, if it did at all. It will look at the pressures the British government had to deal with, for example, pressures from the UN to end British imperialism, pressures from the US, and pressures from other members of the Commonwealth, as well as from the rest of Europe. It will examine the strength of colonial nationalism and the extent to which this took the control of decolonisation in Africa away from Britain, or at least forced the British government to change and adapt its policy in order to cope and deal with this threat. This essay will look at pressures at home in Britain, from members of the government and those in opposition as well as British public opinion, and the extent to which this affected Britain’s policy over decolonisation. It will also look at the impact and influence that the process of decolonisation being pursued by other European imperial powers in Africa had on Britain’s decolonisation policy. It will look at how much the desire of Britain to maintain its role as a world power, and maintain, for example, the special relationship with America, and its position in the Commonwealth, had on British policy over decolonisation and whether this desire led to Britain pursuing a policy direction which it otherwise would not have done. Finally, having examined all these pressures and events which affected Britain’s decolonisation policy in Africa, this essay will attempt to examine to what extent Britain was, or was not, able to retain control over this process, and affect it in a way which was acceptable to Britain. It will then try and make an assessment, whether or not Britain did retain control over decolonisation in Africa in the period from 1959 to 1964, and, if Britain was in control, the extent of this control.

Perceptive Fields and the Hermann Grid Illusion

Perceptive Fields and the Hermann Grid Illusion Measuring Perceptive fields using the Hermann Grid Illusion Lachlan Cox Abstract This study looks at how displacement of the fovea changes how the Hermann Grid illusion is shown at different bar widths. The first hypothesis was that the bar width at which the illusion was maximal would increase with increased eccentricity. The second hypothesis was the bar width at which the illusion would increase the higher eccentricity. The study was carried out on 228 participants and after the study was completed it was seen that the first hypothesis was confirmed, and while the means showed a positive correlation in the second hyposthesis, there was not a significant difference between two of the levels of the IV. Introduction There are a broad spectrum of topics that psychology delves into, from how the brain works to how people interact with the world and those around them. Many psychologist study how the brain perceives the world and how it can be fooled whilst been given the same raw data everyone else has. However, this study is going to be centralized around the eyes, and how they can be giving the brain false information before it even gets there. This experiment will focus on the measurement of perceptive fields at altered distances from the fovea. To test this, altered bar widths will be used within a Hermann Grid Illusion. A Hermann Grid Illusion is a black background that is covered by intersecting horizontal and vertical white line, giving the illusion of even black squares (Schiller and Carvey, 2005). This phenomenon was first attributed to simultaneous contrast, which was described by Hermann as being â€Å"The apparent brightness of each point on the grid depends on the amount of black which exists in a certain area around it (1870. As cited in Spillmann, 1994). From this, Hermann stipulates that when there are larger white bars, peripheral contrast is less as there is less black to contrast. This is explained as â€Å"Its brightness will thus be less enhanced by contrast and must therefore appear darker.† (1870. As cited in Spillmann, 1994) However, it wasn’t until many years later that there was a new explanation for the phenomenon. A theory within the human visual system called receptive-field organization. This theory was brought to light by Baumgartner. His theory was that the illusion was due to the fact that â€Å"brightness signalling on-center cells stimulated by the intersection receive about twice as much lateral inhibition as cells stimulated by the bars.† (Spillmann, 1994). Lateral inhibitions will then cause the intersections to appear darker. Lateral inhibition is when a neuron is overly excited, which reduces the activity of neighbouring cells. When applying Lateral inhibition to the Hermann Grid illusion, lateral inhibition occurs when the outer ganglion cells are over-stimulated, causing under stimulation of the center ganglion cells, making the intersection seem darker. Width is a very important consideration when discussing the Hermann Grid illusion as a whole. Braumgartner also discussed how the diameter of the receptive field could be measured by using the width of the bar. When the illusion was strongest correlated with the diameter of the receptive field center (1960. As cited in Spillmann, 1994) Spillmann then goes onto describe how to measure the size of a receptive field. â€Å"To determine the size of a perceptive-field center, the observation distance (and thus the visual angle of the inducing stimulus) is varied until the illusion is maximal. For a threshold measurement, it is assumed that the critical bar width at which the illusory spots are strongest corresponds to the size of the perceptive-field center.† (1994). This can also be adapted to measure the size of the periphery, rather than the center of the perceptive field. This can be done by displacing the fixation point (Spillmann, 1964. As cited in Spillmann 1994). Because of this, the Hermann grid illusion can be used to measure both the center and the surround of the perceptive field. There are going to be two hypothesis considered when undertaking this experiment. These will discuss how the bar width interacts with the size of the perceptive field centers as well as how the bar width interacts with the whole perceptive field. The first hypothesis being discussed in this experiment is that the bar-width at which the illusion is maximal should increase with increasing distance from the fovea, this being due to the size of the perceptive field centers. The second hypothesis being discussed is that the bar width where the illusion disappears should increase as the distance from the fovea increases, this time due to the size of the whole perceptive field, including center and surround. Method Participants The participants for this experiment were 228 QUT students enrolled into the unit PYB204 – Perception and Cognition. By being part of the unit, participants were deemed to be eligible and those who were present the day of the experiment had the chance to participate. No other selection or exclusion criteria was applied to those who could participate in the experiment. Of the 228 participants, 180 were female and 48 male, and ranged in age between 18 and 61 with a mean age of 23.82 Design In this experiment, the Independent variable (IV) was the displacement from the fovea. There are 3 degrees of displacement used in this experiment, which are; 0 °, 5 ° and 10 °. Participants were to complete all 3 levels of the IV, which were randomized as a control variable. The first DV is the bar width where the illusion is maximal using a method of adjustment, while the second DV is the bar width at which the illusion disappears. This uses a staircase method using a step size of 0.04 ° with 6 reversals. From this, it can be extrapolated that each participant looked at the Hermann grid illusion six times, three for the first DV and three times for the second DV. Other control measures used include having an equal amount of intersections in each grid as well as the fact that half of the participants viewed their displaced grid from the left and the other half on the right. Apparatus Stimuli was rendered on a 21.5† monitor, using 1400 x 900 screen resolution. No working distance correction was given and participants were instructed to wear whatever spectacles they used for computer work, if any. Participants viewed a 3 x 3 grid subtending 6.6 ° with the central point of the grid displaced at either 5 °, 10 ° or 15 ° from the center of fixation. Participants were provided a visual target (a plus â€Å"+† sign) to fixate upon, which was located in the center of the screen. Procedure Prior to the experiment, particpants were directed to a computer, with their head 30cm away from the monitor. During the test, six different test were conducted. The two hypothesis were conducted sequentially, the first three tests considering the first hypothesis and the last three tests considering the second hypothesis. The first three tests required participants to evaluate at what width the illusion was most apparent. The second three tests required the participants to locate when the illusion was minimal at each level of the IV. These tests were conducted in computer labs with roughly 10-30 people in each session and all sessions happening over the course of one week. Groups were conducted at different times of the day. Results The results from each of these experiments were collated and processed and descriptive data was collected to provide some understanding as to how each of the tests were affected by the bar width. A table of these statistics is provided below. Means and Standard Deviation of Maximal Illusion and Illusion Threshold As evidenced in Table 1, it shows that the mean increased for each level of the IV, it was reported that the lowest mean was when there was no displacement from the fovea (Mean = .54, SD = .37). The next highest being the average amount of displacement, 5 °. (Mean = .68, SD = .38) and the largest displacement (10 °) showed the highest mean of all the trials in the first set of trials. (Mean = .83, SD = .44). This shows that there is a positive correlation between the displacement of the fovea, and the bar width at which the illusion is maximal. This is also seen in the second set of trials. Where there was no displacement of the fovea, there was the lowest mean for bar width. (Mean = .91, SD = .47), the second test shows the second highest displacement and the average mean. (Mean = 1.16, SD = .47) and the largest Displacement from the fovea (10 °) shows the largest mean (Mean = 1.19, SD = .51) While means were used to show some correlation, t-tests were also completed to see whether or not the data would be statistically relevant. All but one of the t-tests completed showed that there were significant differences between the levels of the IV. When considering the differences between threshold 5 and threshold 10, it showed that there was not a significant difference between the two levels of the IV. (t(228) = -1.472 p> .05) Discussion When considering results from these experiments, the first hypothesis was confirmed. As the displacement from the fovea increased, so did the bar width that the illusion was maximal. 0 ° had the lowest mean with .54, 5 ° was second with a mean of .68 and 10 ° had the largest mean width with .83. These studies are in line with previous studies of the phenomenon and are indicative of previous results by Spillmann and Random-Hogg (1980). However, when considering the threshold DV, the hypothesis was not completely confirmed. When considering the mean widths, there was a positive correlation throughout, with the smallest mean being assigned to no displacement with a mean of .91, the second highest mean of 1.16 going to the 5 ° displacement of the fovea and finally the largest mean width being attributed to the largest displacement of the fovea, 10 ° with a mean of 1.19. However, when conducting t-tests to consider the significance of the results, it was found that there was not a significant difference between the results of the 5 ° of displacement and the 10 ° of displacement. While the means are in line with current research, more testing could show more statistically significant results. Some of the limitations of this study can be the eyesight of the participants. Participants in the past have reported not being able to see all levels of the IV, which could give skewed results as some participants could only take part in part of the experiment. One of the ways to combat this is to add selection criteria on to the experiment to make sure that all participants can see all parts of the IV. One of the ways that this future studies could improve upon this experiment is to complete the experiment with more advanced technology when it is available, so that researchers will be able to get a greater idea of how the eye and perceptive fields work within the eye. References Hermann L, 1870 Eine Erscheinung des simultanen Contrastes Pfliigers Archiv fiir die gesamte Physiologie 3 13- 15 Hermann L, 1870 Eine Erscheinung des simultanen Contrastes Pfliigers Archiv fiir die gesamte Physiologie 3 13- 15 Ransom-Hogg, A., Spillmannn, L. (1980). Perceptive field size in fovea and periphery of the light-and dark-adapted retina. Vision Research, 20(3), 221-228. Schiller, P. H., Carvey, C. E. (2005). The Hermann grid illusion revisited. Perception-London, 34(11), 1375-1398. Spillmann L, 1964 Zur Feldorganisation der visuellen Wahrnehmung beim Menschen. Vergleichende psychophysische Untersuchung der GrojJe rezeptiver Felder im zentralen und peripheren Gesichtsfeld mit Simultankontrast, Flimmerfusion, Scheinbewegung und Blickfolgebewegung PhD Dissertation, Munster, Westfalen Spillmannn, L. (1994). The Hermann grid illusion: a tool for studying human perceptive field organization. PERCEPTION-LONDON-, 23, 691-691.

krista bradford :: essays research papers

People running around with underwear on their head, a fake suicide over the Niagara Falls, forest rangers who are positive they seen Bigfoot, and sheriffs who make x-rated videos on a rented video camera and forget to take the tape out. These are some of the wacky stories Krista Bradford experiences during her career as an anchor on tabloid television. She tries to convince the reader that TV tabloids are trashy in the article â€Å"The Big Sleaze published in Rolling Stone magazine in 1993.   Ã‚  Ã‚  Ã‚  Ã‚  Bradford writes the article in a unique fashion. She writes it as a story. Everything in the article is an experience, which make this article more interesting and convincing. Her first an anchor job was at the age of 18, she was an intern for Joan Lunden at KCRA-TV in Sacramento, California. She lost that job 10 years later so she met with Peter Brennan, the producer of A Current Affair, and he gave Bradford a job as an anchor. 6 months later they wanted her to portray a bimbo rape victim in a reenactment. She refused and went on with her life. After she was done at A Current Affair, she worked at The Reporters. She ended her career with a show hosted by Geraldo Rivera named Now It Can Be Told. She worked in tabloid TV for five years and has a lot of experience with it and that helps to make this article convincing.   Ã‚  Ã‚  Ã‚  Ã‚   Bradford is very negative towards television tabloids. Her tone towards everything in the article is strong and negative. She uses profane and Informal language, like tits-and-ass raunchiness and rubbernecking at the oddities of American life. Her language has a lot of trashiness to it. She also says TV tabloids do not mature the mind, they mutate it. In the article, Bradford doesn’t make the mistake on using too big of words. She uses words that everyone can understand, not just her colleagues. For instance, she uses the word â€Å"bigwigs,† basically everyone knows what that word means. She also uses the phrase â€Å"Joe six-pack.† A lot of what has to do with articles are the race of a person their attractive ness and their sexual orientation. The truth is TV tabloids discriminate against people of different race, gays, and unattractive women. They also use racial slurs and that will upset a lot of people. These are some of the negative points she uses against tabloid television.

The Overuse of Antibiotics :: Medicine Health Persuasive Essays

Thesis: With the advent of antibiotics in 1929 Fleming said, "The time may come when penicillin can be bought by anyone in the shops.Then there is the danger that the ignorant man may easily underdose himself and by exposing his microbes to non-lethal quantities of the drug make them resistant."With the overuse of antibiotics today we have seen this very idea come to be.Over usage is caused most prevalently by a lack of education on the part of the patient.Thus stated, the way to overcome such a circumstance is to educate, not only the patient but also the physician. Generally in life, an overabundance of anything is thought of as a blessing.For instance, most people would say that there is no point where someone has too much money, or too much time; however, having and using too many antibiotics can be a problem.With the advent of antibiotics in 1929 Fleming warned that, "The time may come when penicillin can be bought by anyone in the shops.Then there is the danger that the ignorant man may easily underdose himself and by exposing his microbes to non-lethal quantities of the drug make them resistant."[1]Following with Fleming's words antibiotics need to be prescribed in a judicious fashion, not of one with a careless action, "one third of the 150 million outpatient prescriptions are unnecessary."[2]With the overuse of antibiotics today we have seen this very idea come to be.Over usage is caused most prevalently by a lack of education on the part of the patient.Thus stated, the way to overcome such a circumstance is to educate, not only the phys ician but also the patient. Alexander Fleming started the history of antibiotics in the 1920's with his discovery of penicillin.When penicillin was first discovered and used widely, it was touted as a wonder drug, and consequently was used as one.Though not necessarily harmful to the patient penicillin was used for much more infections than it was able to combat.Today the same practice is observed in the medical profession, however at this point it is due more to the detriment of an uneducated public.Studies have been carried out that show the huge over usage of antibiotics.In the seventies Soyka et al, concluded, "60% of physicians surveyed gave antibiotics for the treatment of the common cold."[3], and by common knowledge the common cold is a virus, something that cannot be treated by an antibiotic.Nyquist

Gods Nature vs. Mans Free Will Essay -- Philosophy Religion Essays

God's Nature vs. Man's Free Will The reconciliation of God's nature and Man's free will has long been a subject of debate for philosophers and theologians. Christianity rests upon certain ideas about the nature of God and the universe. The Bible speaks of God as eternal, all-knowing, and as the very author of reality. The concept of God as a benevolent, omniscient, omnipotent, and omnipresent entity is rooted in thousands of years of church tradition. This tradition is so ingrained in Western culture, that, when one mentions "God", these ideas almost invariably come to mind. The idea of Man's free will is also a well-established tradition in Christianity. The very need for Christian redemption is based upon the choices made by Adam and Eve at the very beginning of history. There is an idea that Man either chooses to sin against God, or chooses to obey Him. This ability to choose between two options allows good and evil to exist as opposites on the spectrum of morality. This in turn necessitates a need for an atonement process by which Man can be redeemed for the evils that are committed. Without this doctrine, Christianity is unnecessary. Redemption is not required for those who commit no wrong. The above ideas seem relatively straightforward when presented as independent beliefs. A great deal of confusion does arise, however, when the ideas are brought together as a system of beliefs. Some parts of God's nature seem to disallow the possibility of free will. How can God's knowledge of all actions - past, present, and future - allow any human to make a choice of his own volition? By its very nature, omniscience is infallible, therefore it seems that one is not free to choose anything other than that which God knows. Th... ...sions in order to be 'all-good', and He chose to allow us to choose. In conclusion, I suggest that there is a big difference between saying, "God can't do X and be consistent", and, "I don't know how God can do X and be consistent." As common sense suggests, ignorance of a solution does not take away from that solution's existence. Soli Deo gloria. Works Cited Augustine. "Divine Foreknowledge and Human Free Will." Philosophy of Religion: An Anthology. 259-261. Mackie, John L. "Evil and Omnipotence." Ibid. 186-193. Pike, Nelson. "God's Foreknowledge and Human Free Will Are Incompatible." Ibid. 261-271. Plantinga, Alvin. "God's Foreknowledge and Human Free Will Are Compatible." Ibid. 271-275. Plantinga, Alvin. "The Free Will Defense." Ibid. 194-212. Pojman, Louis P., ed. Philosophy of Religion: An Anthology. New York: Wadsworth, 1998.

Critical Reading Of Professional Literature

How do pesticides disrupt food chains? TWO: Review the homework by asking student volunteers to suggest ways one population's growth can lead to another population's disappearance during succession. ; Display a blank copy of a K-W-L Chart (ERE, p. GAP-8) on pollution. Have students individually complete the chart except for the L column. ; (Teacher Note: The K-W-L Chart will be completed during the Warm-up section of tomorrows lesson, so you may wish to collect it from students for safekeeping. SW: Organize the students in groups of 3-4, and ask each group to write down ways that pollution released into the environment might affect plants or animals in an ecosystem. Have students list as many possibilities as they can think of in five minutes Saba, Subs, cashed, cash, cashed, cash, cash How do populations grow and what factors limit population growth? TWO: Use Figure 4. 3 in GAL., p. 97, to explain how populations grow exponentially. ; Ask students why populations cannot continue to grow endlessly.Explain carrying capacity, using â€Å"Inside Story' in GAL., p. 98, to illustrate population growth patterns. ; Define and provide examples of limiting factors on populations. Explain that factors that limit one population in a community can also affect other populations (e. G. , populations in the same food chain). Teacher Note: See GAL., up. 68, 97, and 100-101, for examples of limiting factors. SW: Have students study the graph in Figure 4. 8 in GAL., p. 02, and suggest reasons the lynx and hare populations rise and fall together.Explain that population sizes can be controlled by interactions among organisms in a community, including predation, competition, and crowding. INSTRUCTION THURSDAY Saba, chubs, cashed-e, chubs, coaches, cashed How can you model the way ecologists determine the size of an animal population? TWO: Have students brainstorm (ERE, p. GAP-4) the following question for three minutes in groups of 4-5 students: If you had to count all of the squi rrels in a park, how would you do it? Have each group decide upon and present one method. Write a word or two on the board to describe each group's method.Briefly discuss the pros and cons of each idea with students. SW: Ask students to explain why electioneering is effective and to suggest ways that other species of animals (e. G. , owls, wolves) could be marked without harm for recapture. ; Have students answer questions #2-5 of the Analyze and Conclude questions in GAL., p. 109. FRIDAY TWO: Teacher will review limiting factors. SW: Students will be given a quiz on limiting factors. 10/1/12-10/5/12 Saba, CUBIC, Sub, Subs, cash, cash SECT: cells Why is water important? TWO: ; Explain the dependence of all organisms on water for survival. Sub) ; Describe how plants are adapted to use the capillary action of water to obtain ground water. (Subs) ; Read about the properties of water and relate them to organism survival in a graphic organizer. (Cash, Cash) SW: Have students select one o f the properties of water discussed in the text and write two or three sentences about how that property is vital for the survival of organisms. Encourage students to use an example that is not discussed in the text to support their claim. Saba, CUBIC, cash, cash How does the interaction of atoms drive life processes?TWO: Explain to students that atoms are the building blocks of all matter, including organisms. Discuss how atoms form compounds and that compounds interact in chemical reactions, upon which life processes depend. Remind students of the dissolving properties of water, emphasizing that a salt dissolving in water is a chemical reaction. SW: Think-pair-share: Water is a substance that is vital to the survival of organisms. List as many vocabulary terms from the lesson that can be applied to water as possible, and explain why each term fits. INSTRUCTION SIB b-c, cash-b, cash, cashHow does temperature affect the reaction rates of enzymes? TWO: Review the following terms: che mical reaction, substrate, product. ; DOD Shared Reading (ERE, p. GAP-12), explaining the action of enzymes using the example in GAL., p. 166. Emphasize the specificity of enzymes to specific substrates. Explain that chemical reactions require energy, and enzymes often lower the amount of energy required to carry out a chemical reaction. SW: Describe in a short paragraph the importance of digestive enzymes in the chemical breakdown of food, including an example of a digestive enzyme and its specific role in digestion.

Scarlett Pimple

Good communication is not necessarily proper grammar, but rather the ability to converse. A clear example of this is in The Scarlet Pimpernel by Baroness Orczy, a story that takes place in France and England in the late 1700s. This book is set during the French Revolution, a time when upper class French citizens were being sent to their death by the revolutionaries. The Scarlet Pimpernel is a historical fiction story which tells the tale of a fearless and brave man who selflessly risks his life time and time again, to help aristocrats escape to freedom.There are many conflicts in this book, both internal and external. One external conflict occurs between Sir Percy and his wife, Lady Marguerite, as they fall out of love with each other, and their marriage turns appalling, as a result of the lack of communication. Another conflict occurs within Lady Marguerite, as she struggles internally between choosing to save her brother or the courageous Scarlet Pimpernel. One conflict is between Sir Percy and his wife, Lady Marguerite. When Sir Percy is exposed to the rumor that Lady Marguerite triggered the Marquis de St.Cyr’s death, their once happy marriage starts to deteriorate. Sir Percy never gives Lady Marguerite the opportunity to explain herself and doesn’t make an effort to hold their marriage together. Lady Marguerite, on the other hand, yearns for the love that her husband used to give her, but doesn’t even attempt to make amends. Sir Percy ignores his wife, and in return Lady Marguerite mocks him behind his back. Lady Marguerite and Sir Percy are both selfish and stubborn, which jeopardizes their chance at a happy life. Neither Percy nor Marguerite initiates a discussion about where their marriage went wrong.Without talking their problems through, they drift farther and farther away from each other. Percy and Marguerite each feel betrayed by their spouse, but neither of them is willing to give up their pride to apologize and get their marri age back on track. Another conflict occurs within Lady Marguerite, as she is faced with a crucial decision, to save either her brother or the Scarlet Pimpernel. Chauvelin, a French revolutionary officer blackmails Lady Marguerite into choosing. Chauvelin is holding Armand, Lady Marguerites brother, hostage.Chauvelin says he will kill Armand if Lady Marguerite does not hand over a secret note from the Scarlet Pimpernel’s league. Lady Marguerite is torn between these two choices. As one can imagine, she wants to save her brother, her blood relative. On the other hand, she knows she should save the Scarlet Pimpernel, for the common good. The death of the Scarlet Pimpernel would mean the death of hundreds of French aristocrats whom the Scarlet Pimpernel might save. It is one death against hundreds, but the one death would be her brother’s. After much thought, Lady Marguerite reaches a verdict.She chooses to save her brother. Following this decision, Lady Marguerite gives o ver a confidential note from the Scarlet Pimpernel to Chauvelin. The Scarlet Pimpernel’s true identity is now known to Chauvelin, but Lady Marguerite is not yet conscious of the significant mistake she has made. Marguerite is poking around inside her husband’s office when she notices the symbol of the Scarlet Pimpernel. Lady Marguerite is now aware of just how tough her decision was. She preferred to save her brother over a bold and daring man, but she was oblivious to the fact that the brave man was her husband.Lady Marguerite’s internal conflict ultimately affected her external conflict. When Lady Marguerite finds out that her husband is the Scarlet Pimpernel, her external conflict is resolved, and the flame of love is rekindled in her soul. If Lady Marguerite would have informed her husband over the difficult decision she was being forced to make, he would have offered his assistance, and informed her that he was the Scarlet Pimpernel. Communication is the ke y to a healthy marriage, and it is clearly shown in this story. An entire conflict could have been resolved with proper communication.